We were fortunate to meet Michi Grassi last year at the Piazza di Siena Horse Show in Rome. His presence was as striking as his hyper-realistic paintings—artworks that capture the spirit of the horse with breathtaking detail. From the way light dances across a horse’s mane to the depth reflected in its eyes, Michi’s work is a testament to both technical mastery and profound emotional connection.
By Therese Alhaug
One of his most mesmerizing pieces, Deep Black, portrays a black horse on a black background, emerging from the darkness like a spectral figure. Depending on the angle from which you view it, the painting takes on new dimensions, shifting subtly as though alive. This attention to the smallest details—every hair in the mane, every glint of light—distinguishes Michi’s work and leaves viewers in awe.
A Life Shaped by Passion and Resilience
Michi was born into an artistic family, with his father also being a painter. His passion for painting emerged early, and by the age of seven, he was already experimenting with colors and techniques. However, it wasn’t until later in life that painting became his true calling—born not just from passion but from necessity.
In 2015, at the age of 27, Michi suffered a severe riding accident that changed everything. Before the accident, he had a promising career in the Italian army and was studying law. But the injury forced him to give up riding and left him in chronic pain. He lost not only his physical abilities but also friendships, relationships, and his previous sense of identity.
Determined to channel his struggles into something meaningful, he picked up a palette knife and started painting. What began as an act of defiance against despair soon transformed into a new purpose. “Painting was the only thing that allowed me to express myself during a bad situation,” Michi shared with us. “For me, it was like meditation—no thinking, just feeling.”
The Influence of Horses
Horses had always been part of his life, but after his accident, they became his solace. While recovering, he would spend time with them, finding comfort in their presence. “My only friends were horses,” he said. “I loved to meet them for a hug and take photos to paint later.”
For Michi, horses represent strength, elegance, and resilience—qualities he deeply relates to. Their muscular structure, the unique colors of their coats, and, most importantly, their expressive eyes became the focal points of his paintings.
“Painting was the only thing that allowed me to express myself during a bad situation. For me, it was like meditation—no thinking, just feeling.”
Overcoming Adversity: The Story of Toti
One of Michi’s most significant works is a painting of Itot du Chateau, called ‘Toti, the former champion horse of Edwina Tops-Alexander. Like Michi, Toti had suffered a severe injury and fought his way back. A scar on the horse’s face became symbolic of their shared battle. “I saw myself in Toti,” Michi told us. “His scars, his fight, his resilience—I felt the same way. That’s why I painted him.”
The painting of Toti is more than just a piece of art; it is a testament to Michi’s own journey—one of pain, perseverance, and an unbreakable spirit. Living with constant pain, Michi continues to paint, pouring his soul into every brushstroke.
Recognition and Achievements
Michi Grassi is widely recognized in the art world as “Caravaggio dei Cavalli.” His talent has been acknowledged on an international level, and he won the world competition in 2020. Prior to this, in 2019, he was awarded in the Italian Parliament, a recognition he received once again in 2024 for excellence in equine art.
Michi regularly exhibits his work at prestigious equestrian events, including equine art shows with Edwina Tops-Alexander in LGCT, Fieracavalli, FEI Longines World Cup, Jumping Verona, and Arezzo VIP. His art has been featured at the Federazione Italiana Sport Equestri, Roma Polo Club, and Acquedotto Romano Polo Club.
A Vision for the Future
Despite the hardships he has endured, Michi’s ambitions remain boundless. His work has already reached the collections of superstars, sheikhs, and royalty. Yet, his dreams go even further. “I will write the history of equine art,” he said with conviction. “I will make exhibitions close to Caravaggio paintings. Nobody has done something like this before in equestrian art.”
His journey is far from over. With every painting, Michi Grassi continues to redefine what is possible in equestrian art, proving that even through suffering, beauty and greatness can emerge. And, as he says himself, “Never give up.”
